iTunes DRM Attacks Puppies, Kittens, and Small Children

Usually when Cory Doctorow writes about how much he hates DRM, I say, “Keep preaching, Cory.” I mean, I can’t stand DRM (digital rights management) or even the thought of someone taking away my media rights just because I’m using a digital instead of analog medium, but I’ve never seen it as potentially crushing. More irritating than anything else.

Until last week, when on two different accounts, I was kept from using music purchased through the iTunes Music Store when and where I wanted to.

The first incident: After becoming addicted to the song, I bought Styx’s “More Love for the Money” in the iTunes store about three weeks ago. Being a neurotic listener, I wanted to hear that song everywhere I went. The most regular places I listen to music are my iPod, my laptop, my home desktop computer, and my work desktop computer. I also have an ftp server set up on my home system dialed right into my iTunes directory so I can take my MP3 (and AAC) files with me wherever I use a computer. Since purchasing the song, I have probably used somewhere around forty different computers in the past year, and around eight to twelve on a consistent basis. Being the default IT manager, computer troubleshooter, graphic designer and software tutor for the church means that I use one here, one there, throughout the week.

But here’s the rub. Somewhere within the past month, I licensed my fifth computer on the iTunes music store. I don’t know what computer it was. And that’s the whole problem. We have had about six systems go dead within the past year at the church. At least one of them – and perhaps more – was licensed to use songs from my iTunes account.

I had recently had some complications in iTunes on my laptop (podcasting related) and I had completely uninstalled the app for some time. When I went to install it and use my tracks already sitting on the computer, already licensed to me, I couldn’t play them. I was given iTunes’ “no more licenses” notice. I was then left guessing which computer could I take away a license from. “No problem,” I thought, “I’ve done this before. I’ll just take one of my other licenses off of one of the systems at the church.” And then it dawned on me. The only computers I knew of that were still licensed were my home computer and my work desktop. The other systems were either ones I had forgotten about or were dead!

The second inicident: It was Christmas Eve and we were in the middle of a service. We were going to play a classical version of Ave Maria that we had purchased the previous year from the iTunes store. We had recently upgraded the sound booth CPU. Unfortunately for us, we had not tested out iTunes with purchased tracks yet. When we went to play them, we came across a similar issue.

We couldn’t play the tracks because we weren’t licensed. And I couldn’t remove another license because either I couldn’t remember where else I had licensed them or else the computers that were licensed were dismantled.

Look. Five computers sounds generous. It sounds like a lot of computers. But for anyone who just runs here and there on computers all day long, it’s nothing. I myself have five computers – either for work or home – let alone the fifteen at the church that I use on and off.

Yes, I should have noted the systems I licensed, but Why on earth should I have to run an Excel spreadsheet to keep track of which computers I have played my music on?

In conclusion: I’m done with the iTunes Music Store. End of story. I am buying CDs and sharing files. DRM, to me, is a joke. We are told, “You’re a thief” on one hand, but on the other hand, the only option we’re given when it comes to convenient digital music is a license.

Here’s an idea. Let’s monopolize content. Then we’ll criminalize digitally what is commonplace analogically. And finally, we can hand the consumer a digital “license” instead of giving them what they thought they paid for when they clicked the deceptive “Buy Song” button. Oh wait, that’s already been done. Thanks, once again, to the miracle of fine print!

There is a word in economics for powerful organizations who monopolize a desirable resource and use their force to manipulate:

Rent-seeking.

I’m not paying rent anymore for what I already own.

Tinker et al. v. Des Moines (1969)

Excerpts from the Supreme Court decision reprinted for the courtesy of readers unaware:

“In our system, state-operated schools may not be enclaves of totalitarianism. School officials do not possess absolute authority over their students. Students in school as well as out of school are ‘persons’ under our Constitution.”

“First Amendment rights, applied in light of the special characteristics of the school environment, are available to teachers and students. It can hardly be argued that either students or teachers shed their constitutional rights to freedom of speech or expression at the schoolhouse gate.”

“That they are educating the young for citizenship is reason for scrupulous protection of Constitutional freedoms of the individual, if we are not to strangle the free mind at its source and teach youth to discount important principles of our government as mere platitudes.”

If a school is enraged with a student, but does not punish them, wouldn’t you go ahead and guess that student was right? Wouldn’t you assume that student crossed no bounds? I would.

Steve Geluso v. Richland High School English Dept.

On the evening of Sunday, December 5, I was with my cousin Steve, my brother Justin, and our friend Craig, enjoying some relaxing sound boothery at our church. We were running lights, sound, and graphics for that evening’s Night of a Thousand Candles service.

The mood was suddenly shattered as Steve’s dad, my Uncle Pat, approached the sound booth with a calm, but distressed look on his face.

“Make this call before 9:30,” Pat said, handing Steve a note with a phone number and the name of his English teacher. I offered Steve my cell phone and he took it. He was back within a matter of minutes.

“I failed my exit exam,” Steve said.

And thus began a one-week drama that featured a two hour after school student-teacher debate, Internet hijinx, and an increasingly entrenched group of Richland High School educators buried in email from all over the Internet.

The controversy involved?

Steve wrote a “compare and contrast” essay distinguishing piracy from stealing.

Sidenote: Piracy/File-sharing is most certainly a sticky subject. I’ve found that people for whom the Internet is wholly integrated into their lifestyle hold very different opinions on this subject than those who use the Internet as a tool or not at all. It’s typically easier for the uninformed to cry “moral relativism!” than it is to do a little reading.

The essay has its shortcomings, as Steve himself is quick to point out, but it incorporates research and anecdotes, as well as a creative mathematics illustration. (You can read the essay here, transcribed as it was written, with all spelling mistakes, and including the grading rubric and the 3×5 note card that was returned to him from the English Department’s review of the grading.)

As he normally does, Steve posted the details on his web site. After his unsuccessful attempt to get the English Department to reverse his grade, I decided to get a little more proactive on his behalf, writing up the following “news brief” detailing his plight and sending it out to the authors of several large weblogs. The only site that picked the story up was boingboing (which I won’t link to because it’s been pointed out that their site contains pornographic ads.)

Piracy vs. Stealing: Teacher Fails “A” Student for Topic Choice

Sixteen year-old Steve Geluso was failed by his English teacher for choosing to distinguish piracy from stealing in an essay.

Geluso, an ‘A’ student, recently completed an in-class exit exam for his Language Arts class. The goal of the exit exam was to write a comparative essay on a topic of the student’s choice. Being a student who enjoys a challenge, he wrote an essay contrasting piracy with stealing.

His teacher failed him, saying there was no difference between the two and that he was “splitting hairs”. Other teachers who read his essay said that he did well from an organizational and technical standpoint, but because his teacher felt that there was no difference between piracy and stealing, she gave him an ‘F’ because she disapproved of the content of his essay.

I must point out that it’s very easy for me to understand the opinion of Steve’s teachers, who are most likely light Internet users and are probably unaware of the side of this debate that isn’t holding the bullhorn. I actually have great compassion for the Richland High English Department. The world is changing in ways they can’t understand and it must be very frustrating to be flooded with emails telling you you’re wrong.

Having been asked by Steve and his parents to join him tomorrow afternoon for a meeting with his principal, I would like to lay out the argument I have prepared on behalf of Steve.

The Case

This is an issue I am very passionate about. (Passionate enough about it that I came a few inches from being an Intellectual Property lawyer instead of a pastor.) It would be easy for me to get into discussing copyright and the RIAA. But this would be a major mistake. The issue It isn’t really about the content of Steve’s paper.

To me, there are just a few real issues at stake here. Past all the
emotional argument that has obviously arisen, there are just a few
questions that need to be answered in order to resolve all of this.

Question 1: Did the paper meet the requirements of the assignment?

One teacher’s note read, “Student is capable of writing an essay – C/C.” Assuming that “C/C” stands for “compare / contrast”, we already have one admission within the RHS English Department that Steve met the goals of the assignment.

In an article titled, The New Accountability, Professor John Lovas of De Anza College questions the graders’ application of the rubric.

“Of course,” Lovas says, “the key in fair scoring is not just a clear rubric, but well-trained readers who consistently score to the rubric, not to their own preferences or ideologies. That’s where the readers seem to have gone wrong, since they don’t apply the features of the rubric in making the judgment about the paper.”

There are no fewer than half a dozen other teachers or college professors who have either in email, on their weblogs, or in comments to Steve’s site, expressed similar opinions.

But was it a distinction that had value in being made? Was it truly just “splitting hairs”?

One teacher took issue with the grader’s point that Steve’s essay was “splitting hairs”, saying, “This point is irrelevant here: Isn’t splitting hairs one of the ways our understanding of our world can be advanced? Most academic papers are hair splitting definition arguments!”

Question 2: Was Steve’s distinction appropriate in any sense?

If anyone, anywhere, had ever made a sliver of distinction between piracy and stealing, it would have been appropriate.

If the grader(s) were more informed, he/they would have been aware that Steve makes the same distinction that a prominent Supreme Court case does. See Dowling v. United States, 1984 – “(copyright infringement) does not easily equate with theft, conversion, or fraud… The infringer invades a statutorily defined province guaranteed to the copyright holder alone. But he does not assume physical control over copyright; nor does he wholly deprive its owner of its use.”

Were there a few other people who had described piracy and stealing as different from each other, Steve would have pretty fair grounds upon which to say he had a right to do so as well. But when the Supreme Court makes the same distinction he does, there can be no question.

Question 3: Was the paper in violation of school policy?

The school has no policy against writing on a controversial subject or a topic that teachers disagree with.

The school district does have a policy against advocating a violation of the law. However, there is absolutely no advocating here. Steve never suggests he is engaging in piracy, nor does he call for others to engage in it. He suggests that the music industry allow piracy as it may actually help them. His paper is comparing and contrasting two things and he sticks to doing just that.

Question 4: Was Steve’s response to his grading in violation of school policy?

Richland High does not have policies that attempt to regulate what a student does with his personal web site.

One of the significant complaints made against Steve has been about his decision to the post his teachers’ email addresses. There are no visible student policies against the republication of teacher’s email addresses. They are already public on the school web site.

In Sum

As these questions have illustrated, it is crystal clear that the Richland High School English Department owes Steve an apology for failing his first exit exam and any decision to reprimand him for the large number of emails sent to them on his behalf would be wholly without base.

One final note: Although it’s sort of irrelevant, something significant just occurred to me.

This was, I believe, an honors English class. Why in the world, in a 10th grade Honors English are students still forced to write standardized moronic five paragraph essays and taking pass-fail exit exams on them?

With the exception of having to learn “T-R-I paragraphs” in 9th grade, I stopped writing formulaically in about 5th grade, thanks to some great writing teachers I had who made the goal to teach writing by helping us learn to write about things that were interesting to us.

I’m sure Richland’s teachers are sadly pressured by WASL testing to pump out students that can nail the WASL rather than learn to love writing, discover their voice, and get grammar, style, and citation coaching along the way.

Standardization is to education what “one size fits all” is to things that are, uh, more than one size.

Free Culture: AudioBooking

Mathcaddy readers are probably a little familiar with Lawrence Lessig. If you’re not, you should be [mirror here] For those of you who have known me for some time, you know that I pursued going to law school and working in intellectual property. But my plans changed, so I get to sit and read Lessig’s new book, Free Culture instead.

And it’s GREAT!

And he and his publisher, Penguin Books, released it in under a Creative Commons license, as well as free download as a PDF.

Well a few people started thinking: The CC license for Lessig’s book says, “You are free: to copy, distribute, display, and perform the work [and] to make derivative works.” What if a group of bloggers got together and recorded this (wonderful) book as an Audiobook, chapter by chapter?

Within 48 hours, it was nearly complete. I even contributed a few chapters. Lessig was pretty excited himself about the project and said he wants to record one of the chapters.

AKMA, one of the originators of the idea, hosts the majority of the relevant conversation on this project, as well as the collection of links to each of the chapters. You can find the Audiobook project here.

Prompted by the allowance in the license for derivative works, another individual has created an eBook that’s much easier to read than the PDF.

Here are my three recorded sections:
Chapter 4: Pirates [9 MB: 25 Minutes]
I highly recommend this chapter, which is also available here in a recent Wired excerpt from Lessig’s book

Introduction to “Property” Section [2 MB: 4 Minutes]
I get to say “the thingness of picnic tables” here!

Chapter 6: Founders [10 MB: 29 Minutes]
Not the most thrilling chapter in the book, but it is essential to frame the historical issue of copyright and “free culture”.

The History of Piracy

Stanford Law professor and copyright reform leader Larry Lessig has a great new essay in Wired called“Some Like it Hot”. The best thing about it is that it would have provided the perfect citation for an essay that Steve wrote a couple of months ago on the history of piracy. The short version of Lessig’s point in this article is that practically every medium of entertainment was founded or built up through piracy. Interesting idea for sure.

Yellow Thursday

I have to make this update to Eric’s earlier post — we at mathcaddy.com are no bearers of misinformation, so let me set the record straight.

The new article in the NY Times on Grey Thursday should be out tomorrow (based on what the reporter said). His article would be the second he has written on the subject and would primarily be a follow-up of what effect the protest had. I was not interviewed and as of now do not expect to be, but my name is listed among those who are willing to have their identities and statistics quoted. So, there is a chance that my bandwidth could be maxed out after all… but who knows?

It’s over.

The links are now dead, for our visitors joining the party a little too late…

And now we wait to see the real response and effects of this landmark day of online protest.

We now return you to your regularly scheduled web site. We will no longer be gray, despite what had been suggested previously. I got a little tired of the absolute lack of color. I just kept expecting to wake up, surrounded by farmhands and saying, “You were there… and you were there…. and you were there!”

Long live the Copyright Reform Movement!
See also:
The Electronic Frontier Foundation
Larry Lessig: “Open Culture” [Flash lecture]
Larry Lessig: “What I Thought We Knew” [Real Video]
Robert S. Boynton: “The Tyranny of Copyright” [NY Times article]

These are just a few sites, articles, and lectures that I’ve found very interesting reads in the past few days. Of them all, Lessig’s “Open Culture” is the best and most interesting. I highly recommend it, although it will take some time, as it is an actual lecture.

Beginning a New American Revolution

As pretty much everyone knows, mathcaddy.com is participating in Grey Tuesday, which is today.

Why am I taking part in this protest?

Because I believe today is the copyright equivalent to the Boston Tea Party.

EMI’s cease and desist letter makes it sound as if Grey Tuesday is about infringement and theft. It’s not. It’s about copyright reform. And the internet provides the perfect platform for such a protest. Just as was dumping tea into the Boston harbor, this is a symbolic protest. It is ridiculous to believe we are really contributing toward infringement on a significant level. If the demand for this album is there on the internet, people can already get it on many different p2p applications. We are putting the album on our web sites because it makes a dramatic statement. Practically as significant as dumping tea into a harbor.

The people who are taking part in Grey Tuesday are not only protesting for the right of musicians to sample. They are also standing up to the RIAA’s general oppression of freedom as well as their attitude that demands absolute control of all copyrighted works, and – most importantly – the fact that they are so large and so rich that they will get what they want. Unless, of course, the people stand in their way. (You know, the “people” referred to in “We the People…”)

On a larger level, Grey Tuesday is about the freedom to peaceably assemble in order to protest something we think is wrong. It is about whether our government values more highly the rights of the people with the rights of the corporation. The supreme court and many other lower courts are constantly attempting to balance rights, weighing the freedoms of individuals against the protections given to copyright holders. However, in my opinion, a victory of EMI in any of the potential lawsuits against protesters would be a clear statement that our country no longer values the rights of its citizens.

This is the cutting edge of a new American Revolution. Where a small percentage of people once took it upon themselves to speak out and act out against Britain’s attempts to undercut the rights of colonial citizens, a small number of people are beginning to light a fire that has been quietly flickering in many hearts.

Make no mistake. Due to the financial and legal might of the record companies, this is not a majority revolution. Nor was the first American revolution. In fact, only a third were for it (a third were against it and a third were indifferent). While the colonists were afraid for their lives, people today are afraid for their bank accounts.

Fear is a reasonable emotion, especially given the fact that we do face corporate entities that could will any of us into bankruptcy through sheer brute force.

But I believe in this country and the foundation upon which it was built. And if corporations wish to subdue the freedoms of citizens of the 21st Century in the name of profit and control, there are a large number of people who are willing to fight them for every square inch.

Grey Tuesday Collected Updates

Update: Read the legal response to the c&d from downhillbattle.org here.

Update 2: It appears the law firm sending the c&d not only represents EMI, but a whole host of other very large corporations, including (but not limited to) BMG, Sony Music, Clear Channel, Coca-Cola, Universal Studios, Columbia Pictures, JC Penney’s, AT&T, IBM, Major League Baseball, the RIAA, and the fricking Empire State Building. Oh yes. And American Girl doll company.

And, if you’re interested, here’s a pic of Cowan, Liebowitz & Latman’s “Hottie of the Month”, who also happens to be the lawyer Mr. J. Christopher Jensen, himself.

Update 3: mathcaddy.com gets a high-profile mention from downhillbattle.org in relation to this post on mathcaddy.com. See the note below their statement in their reply to the cease & decist email.